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Brittany Douziech

Brittany Douziech
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disabled lgbtq
Company
Freelance
Race/Ethnicity
Caribbean, Indo-Guyanese, Indian, French, Canadian
Professions
Music Supervisor, Researcher
Location
Los Angeles
Languages
English
Available for Hire
Yes
Travel for Work
Domestic and International
Experience Level
Established
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Biography

Brittany Douziech is a Los Angeles based music supervisor who began her career at FUEL TV, putting together music ideas and assisting on shows featuring weekly musical guests from Bad Religion to the likes of Chromeo and Public Enemy.

She became the in-house Music Supervisor for one of the largest independent TV production companies in the US, Banijay North America (formerly Shine America/Endemol), working across major cable & network television for almost a decade before going freelance.

Notable recent projects include It Ends (SXSW Best Narrative Feature Nominee 2025),theatrically-released film, The Long Game (SXSW Audience Narrative Award (2023), Netflix #1 film in the US (2024), Imagen Award for Best Feature & Best Narrative (2024), Houston Latino Film Fest Best Narrative Feature (2024)) and the documentary, Body Parts (Tribeca, Doc NYC, AFI, Starz) and Lee Fields: Faithful Man (Doc NYC and Doc N Roll).

Brittany also collaborates with veteran music supervisors Joe Rudge and Emmy-nominated Frankie Pine, contributing to projects including Amazon's A League of Their Own, Hulu's Life & Beth, Netflix's From Scratch and Amazon's Daisy Jones & the Six (Emmy-nominated for Outstanding Music Supervision).

As a first-generation daughter of immigrants and queer woman of color; Brittany is proud to spotlight and uplift diversity in the industry.

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Active Projects

Documentary Feature - Miss Representation: Rise Up

Documentary Feature - Acting Like Women

Documentary Feature - Cheyenne

Scripted Feature - In Spite of Ourselves

Scripted Feature - 4 Kids Walk Into a Bank

Scripted Feature - Trash Mountain

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Films

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BGDM

BGDM is committed to equity, inclusion, and fair recognition of merit, ensuring that all filmmakers and documentary professionals can thrive free from discrimination.

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